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White Midnight

by 6s & 7s

/
1.
I'll ditch my band, float over land I love Through sea, to be with you I'll stay in hovels, labourers grovel And scarlet girls, they talk so blue I charm the knives but not the hands A forever creep, postcoding gloom I want a "yes", might get a "no" Reverbed review, a Potts Point cue But there's no two ways darlin' Dredging your eyes for the germ Of the way that we were in Disco heights, sweaty palms Laden tears, nothing years Here I am and here you're not You asked me to, if you forgot Polestar shapes: me and you Talkback musk, watch check bruise And so if tonight I kick and scream I'll blame it on "Dear Sydney" But there's no two ways darlin'
2.
Fear and trade mags upon my knees Up ten on VA 523 Grids of lights, sent up to floor me Agrarian darkness revolving (But I have changed) In tinsel dangled chemistry Here's L-shaped sheet wrapped destiny (And I am scared) Those business cards sell make believe (Of what I'll do) That hand-to-hand duopoly (Because I have changed) Causation in Times Electric By cemetery, that A.M. trick (And then you will say) With foot-to-foot, under new light and you "Let's not break up" Great Eastern slaps are a'waiting for me Wanton turns one finds in plural seas From lip-to lip in a silent Camry Devotion spawned in more familiar sheets I'll be good until that one day that it's me Pleading, "Let's not break up"
3.
A map upon your brow, a cross against my name Bored Autocratz, with young drama to give A soap-in-sock hour, blue lights upon some veins An owner/builder, not a slave to narrative In White Midnight, with jackals on the beat A Como kid deprives your liberty A phone call lost in a BPM marquee Holding court in a cubicle Shuffling ambered throes, blazing arteries Fear of missing out; don't want it actually On a floor of eyes, there's nothing to see Sed said you were here, but you had to leave One wants to hear their youth, touch and move and see By the feet of that payphone talkin' breed Too straight for dancing shoes, the best that there will be Is Gidget if you will spend your weekend lust on me When the morning is getting cold (Spend your lust on me) When you come in with 1-2 blows (Spend your lust on me) When the talkin' is growing old (Spend your lust on me) When the news is hard to hold Awake to the club shrug, stasis at 20 Pocket a lobster and spend it back to Ruby Street Past a murder scene (I call you) Yes/no in white jeans (You call me) Blood and onion swill (1 callyou), That shaking half-speed drill Jewellery stores for dogs and beds where bimbos bake Muscle shops tweak at the activated teat That idling Goethe hum, soft crush on real estate Dwindling Nonnas sweep the porch on fading streets In White Midnight, large ''L" liberal deceit A Highgate kid has deprived my liberty A phone call lost in Dance dressed as lndie Still holding court in a cubicle Boxers promises, winding taxi strings D&M corners, hand-to-head offerings Blue and red and white, paginates the night Another GBH at the OBH The boys, they want her skin and if they can't get in It's each others skin, that they will break in Before that mortal dent, when you snort up all our rent Gidget won't you bring me your weekend lust?
4.
Cut it, let it run; hang- ups never heal Highways usher death, by Harmony Fields I'm driving to meet you, by Harmony Fields Keep the motor running, Kitty I promise I won't leave you here Spectres hunt the past, coasting salvage yield White grass, first and last, gravel seated zeal I'm driving to meet you, by Harmony Fields A full stop cast in matte, golden lowbell chills Highways usher death, by Harmony Fields I'm driving to meet you, by Harmony Fields
5.
Lake Grace 04:38
Amongst ashen fleets and we are slicing blue metal Hands at 10 and 2, kayfabe under the right pedal Windsor knotted by the white, that's sometimes blue Through a million leaves, rolling kyrie of much yearning Over maize futures, not soon to be returning By the lake, where you came By the lake, where you lay
6.
565 04:44
Moustache alive, at 565 "No, not tonight. But thanks for the invite!" In Fred-on-Fred glory, lady can't ignore me Until she's bringing it on Through bridge and tunnel, then neon funnels On magic corners, consigned to memory Once you're a stranger at your own party Gidget, she dinks that perpetuum moment cast An organism, hermetic to breaking fast "Why did you tell that story7" "It's the wrong time of the morning!!" When you're bringing it on "I've got no Carl Cox", "Got no Hanoi Rocks" I hardly know you, yet you're talking at me While all the kids are all falling down, on Beaufort Street "And mate your stars, they are not my stars" "And mate your scars, they are not my scars" Yet you're talking at me, under moonlight and then sun On Beaufort Street, birthing "never was" A John Sands frieze, first blush skims golden ponds The path of least resistance until it's gone Lisa, go to bed. Steven, go to bed Houston, go to bed. Maciej, go to bed Grab your things and then go long 'Coz we're passing, ligature dolts, actinic masts After-after-after party and they're chasin', good luck with that Draped on curbs, ass at 90 degrees Decanted handbags, extant portals Licked bag lips on denimed hips When you come to on Wednesday Hey, we'll be on our way
7.
(Darling, you and me) It's everywhere, on everything In Tudor moss, geometric cling Hand-lead hallways, where I've lost my name To rotoscoped, crescive dismay Through soft-Left weaves, I've lived, but cannot place Upright to grim truss on your face Before all that I've loved does slip away To death and its singular gaze I've gotta let you know that you are a star to me So Kubrick white, 4/4 pretend As Googie beeps Morse out the end Although nothing will ever be the same It's ours to make loss into gain Through deeds and feats and demonstrated grace When warmth glissades from face to face I've gotta let you know that you are a star to me When does breathing resume? When does lilt ghost trajectory? Empty seats in hearts and tables, filled by progeny? Ebbing circuity, I long to be in the city Dada runs up aching Murray; Bronx fade dazzling Dianetics Jerk trimming marks, pallid pitch hurdling Molly, if we get through this, I'll give you all of me
8.
From the fronds of Africa They took two for their zoo And now there's three more chimpanzees For me, to wrestle over lichens That are suctioned to the high rise That used to house the upward Now only rats and mice And eels, circling Jacuzzis It's the hills, where I chill In neon scarp with my double-storeyed tabby Ride a wave along the terrace Hang ten with a pink porpoise Deny what it's to be (That's when you came) Bodyboarding on a tortoise With all that came before us Dropped-in waves and hearts, Cindy To rest under the cat's tail with you Back in salt-stained, low TPI Oscillation lanes give rise to cinema for tired eyes Like these, which are aching to forget when then comes Pelicans from Double Sunrise Scooping up loose limbs and then taking to regal flight Through gates, of tunicates a'throbbing Ghosting hills, where I chill In neon scarp, so chromatophoric, baby And I'm sure you miss your Mama And I'm sure you miss your Papa And I sure do miss the Dockers (That's when love came) But we've only got each other, due to that reign of error Paddling out to Devil's Terror To rest under the cat's tail with you Oh, the breeze when I sleep And you sweep, your giant tail above me Cindy, meet Geoffrey, my double-storey tabby And it's the hills, where I chill When everywhere ocean glare Puts a line through me And I never thought that I could be alone with you
9.
Hugo, I think that you'll know of what I speak It is futility, asleep next to me It's concrete I bleed, that skin-on-skin beat Shaded by the ruins of Stalinist goons Aroused when six deep Made shills in brick hills, all filling the brief Under crimson caged heat Which holds nothing for me There in staid interviews, by panel of two Of Morose Limousines Swimming in grey suits, new flesh on the teak Sounders do as they please In their quantitative ease Under the gnashing of palms, over bitumened calm Those Morose Limousines

credits

released July 14, 2023

Engineered by Matt Geary at Wooden Robot, Bedford, WA. Drums Engineered by Laurie Sinagra at Sumo Sound, Osborne Park, WA. Drums for Of Morose Limousines recorded by Matt Geary at Wooden Robot. Vocals Recorded by Wil Barquera at Destina, Mt Lawley, WA. Additional recording by Josh Fontaine at Rainbow Bridge, Leederville, WA. Bass on Lake Grace recorded by Laurie Sinagra at Square Jaw, North Perth, WA. Mixed by Laurie Sinagra and Josh Fontaine at Square Jaw. Brass recorded by Adem Kerimofski at Future Ranch, Bassendean, WA. Further brass recorded by Wil Barquera at Destina. Further percussion done by Pete Guazzelli at his lil cute 3 x 1 in North Perth, WA. Mastering by Joe Carra at Crystal Mastering, Thornbury, VIC. Vinyl pressed at Zenith Records, Brunswick East, VIC. Released by Igloo Records. Artwork by Caitlin Kirk. Photography by Josh Fontaine.

All songs written and arranged by Josh Fontaine.
Stu Loasby gifted an Eb and G#maj7 couplet towards the chorus of Of Morose Limousines, and I love him for that. Matt Geary, himself, also supplied a couple of additional bass notes of his choosing in 565, which were neat.

With thanks: Helen @ Love Is My Velocity, Adem @ Igloo, Matt G, Wil, Laurie, Lisa, Matilda, Luca, Mel B, Emma T, Stu, Pete, Joe, Stina, Kate, Andre, Adele, Aidan, Charlie, Pete, Elliott, Dee, Nate, Caitlin, Robbie, Rinnaz, Danielle, Nils and to the elders and people, both past and present, belonging to the Whadjuk community of Perth; whose land inspired and facilitated creation of this album and to whom 6s & 7s pay respect.

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Igloo Records Australia

Independent record label established in 1995 by Adem K to license Turnstyle releases. Igloo now releases new music and reissues from other artists.

Turnstyle albums can be found at turnstyle.bandcamp.com

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